Top Quality Sampling
“So let’s get started”
I looked around at the devil paper and tools that were arranged on the table in the workshop. A tool to measure the attributes and quality of the materials Ferdinand had, examining the nature of each demonic paper. I would like to experiment with rare trombe paper after experimenting with the high number of aphone paper, nanosave paper as a material and to what extent I can improve the quality because I don’t have the body to experiment with a small number of paper.
“Do you make this the highest quality?
Clarissa pinched up a demon paper made from a small cut aphone to check the quality and looked difficult. Demonic paper, made without magic at the hands of civilians, is of low quality as a magic tool. Although trombe paper is of high quality among demon wood paper, if it is parchment like parchment made from the skin of warcraft, which has been used as demon paper for a long time, then there are as many more quality objects.
“If there is no designation in the material of the Devil’s Paper, isn’t it easier to collect the skin of the Warcraft as usual and then improve the quality?
A recipe for the formulation of Devil’s Paper with the skin of a Warcraft is taught in the House of Lords. That is the piece of paper that draws in the magic formation and uses it as an aid in formulating and performing sorcery. If you want to use it for advanced sorcery, you need a lot of high quality material, and you have to capture strong warcraft to get skin in order to get high quality material. For this reason, it is not an easy product to make, such as the highest quality Demon Paper.
“It would be easier to use the skin of the Warcraft if only to improve the quality, but Master Ferdinand’s request is at least three hundred sheets, so I don’t know how much skin of the Warcraft will be needed. You can’t compromise the quality of the material if you want to make it the highest quality, can you? How much do you think you need to capture a fairly strong Warcraft?
Although there are many materials placed in Ferdinand’s workshop, there are not enough warcraft paper to make 300 sheets for each of them. Hartmoot nodded at my words.
“You won’t get skin if you defeat the Warcraft completely, so it seems very difficult to collect large quantities. I don’t think all Rosemayne’s escort knights will be able to gather the necessary materials within the deadline.”
“I don’t think there’s anything you can’t do”
Although Clarissa’s blue eyes are motivated, is it something that Dunkelferger would go hunting for a warcraft? If the deadline is about three years from now, you can go hunting and get some material together, but you don’t have time to go hunting at a time when the handover is busy. I think Ferdinand asked me to improve the quality of Demon Wood paper.
“Nevertheless, I can’t believe it’s over 300 sheets of the highest quality…… What the hell would Master Ferdinand be used for?
“Clarissa, Master Ferdinand is the one who spares no effort in using high-quality demon paper to make it easier to formulate. I’m not like normal people.”
I can’t easily think of what the hell is the case with having to be the highest quality demon paper.
But Ferdinand uses a little bit of high-quality demon paper when he formulates it. We must not trust Ferdinand’s common sense with regard to conditioning. I learned.
“In the meantime, shall we make reference to our joint research with Drevanhell to maximize the quality of the Demon Wood paper we have now”
While trying to pull out impure magic or put in high-quality materials of the same attribute to improve quality, I try to scratch the mixing pan to improve the quality of each demon paper. Both the Avon paper and the non-saving paper went from low to normal quality.
“… too low quality”
Only twitching like a tortoise can improve quality. I hate it when I have the same formula over and over again. I have never continued to improve Ferdinand’s recipes until I was able to convince myself of the recipes for my magic implements because I had previously used them as they had been experimented with and finished, or had asked Rymund to improve them.
“How can Ferdinand easily create new or improved magic equipment like that? I’m about to break my heart.”
“Dear Rosemaine, do not drop your shoulders like that. It’s only day one, and it’s not like there’s no progress at all. The devil paper that makes the noise is much smoother, and the devil paper that gathers on its own moves faster.”
Haltmut inspired me and I look at the improved Avon and Nonsave paper. Although the Avon paper had only an uninterrupted sound, the improved quality smoothed the sound. It has enough sound quality to be used for Orgol. The nanosave paper was only showing a twitchy movement towards the big fragment, but it moved faster.
“But isn’t it far from the highest quality that Master Ferdinand wants…”
“It seems like a long way to go, but I’m also looking forward to seeing what changes will happen to Demon Paper if we improve quality further from here. Good luck.”
Haltmoot and Clarissa take healing pills that greatly restore their magic and ask, “Would you like to have lunch to change your mood, too?” and has proposed an interruption of the formulation. I was tired of the preparation, so I rode the proposal and got out of the workshop.
Discuss how we are going to improve our quality in the future over lunch.
“Dear Rosemaine, let’s increase our attributes. It’s hard to find a material that works well with Demon Wood paper, but if it works, more attributes will improve the quality, so why not add material for all attributes?
“There’s going to be more failures and more melancholy than ever, but we’re going to have to.”
In the afternoon, I will try to put in a little bit by appropriately choosing quality items from the materials that were in the workshop. If there is a good change, increase the amount and see how it goes. With that repetition, I added a little more attributes. However, it does not become high quality even after about medium quality.
… It’s getting a lot more and more troublesome.
If you’re going to make something that you know the recipe is going to follow the procedure, it’s not like you like to formulate this kind of plain experiment long enough. Unlike reading, it’s not something you can immerse yourself in for hours or days.
Afternoon breaks take healing pills instead of tea, and I point my lips at the lack of much progress. Let Haltmoot or Clarissa tell you, they’re making quite a few improvements in just one day.
“Normally, unlike Master Rosemaine, you can’t formulate so many times because the magic doesn’t last. It’s my three-day experiment with senior aristocrats in one day.”
Because I can leave it to the amount of magic to repeat the experiment over and over again, I am a lot more advantageous than other civilians, and they have good results.
“Mmmm…… If it’s my strength to be able to pour a lot of magic into an experiment, why don’t you put in the gold powder, which is a pure mass of magic next? We may be able to improve our quality at once”
“Is it Rosemaine’s gold powder…… That could certainly improve quality at once. Your magic will make you familiar.”
While I take healing pills to restore my magic, I first pull out cluttered magic from the Demon Stone to improve the quality of the Demon Stone itself. He then poured his magic into it and turned the Demon Stone into one gold powder after another. Haltmut and Clarissa round their eyes to see how experimental golden powder can be done one after another.
… Speaking of which, Master Hannelore surprised me even when I made gold powder in the lord’s candidate lecture.
Unlike Hannelore, who was in a pulling mood, Haltmut and Clarissa stare at each other with their eyes shining, but it doesn’t change the surprise.
“How extravagant…”
“That’s Master Rosemaine, isn’t it? Normal civilians have no demonic stones, no magic, and they can’t imitate it very well.”
Use gold powder made during the break to improve quality. I pour magic and keep mixing as I mix gold powder in the sausage and formulation pan. I’ll cut the Avon paper up into small pieces and put it on a magic tool that examines the quality and attributes.
“Oh, you’ve become high quality for all attributes at once”
I used magic like an idiot, but thanks to it, I was able to improve quality all at once. But not the highest quality.
“I don’t know what to do with any more. As much as I’d like you to tell me, Master Ferdinand.”
I’m the only one who couldn’t see ahead and was depressed, and Haltmut and Clarissa can’t seem to hide their gratitude for the Demon Wood paper that has become high quality, and the two have been trying things on Demon Wood paper since earlier.
“Dear Rosemaine, if you can successfully use the undone nature of this Demon Paper, you may be able to use a single Demon Paper many times! It’s a big discovery!
It was Clarissa who sparkled her blue eyes. Not only did the high-quality Nansave paper come together in its original place, but they started sticking around on their own and returning to the original paper state. Interesting change, but what I want is the highest quality demon paper.
“Dear Rosemaine, this one is going to make a smooth noise as if it were singing. It’s not a score, if you draw a magic formation, you might even be able to chant”
He said he wanted to shine his orange eyes like Haltmoot was excited, draw a magic formation and experiment.
“Experiment with how much easier aids can be if you draw magic formations on these demon papers”
“If you want to try it, you can try it. I’m not going to experiment with it.”
My role is not to look for applications or examine properties by improving quality. Even with gold powder, it could only be raised to high quality. Looks like you should finish the mixing today and figure out how to improve the quality.
“Stilo”
Haltmoot and Clarissa turned Starp into a pen shape and headed for the Devil’s Paper. Demon paper cannot be written in normal ink unless it is of low quality. If you get high quality, you’ll either use a magic pen that inks magic, or you can use Stillo to write in a stamp.
“… Dear Rosemayne, it’s hard”
“What is it, Haltmoot?
“I can’t even write this demon paper, Stilo”
“Huh!?
In haste of Haltmoot’s words I peered into the high-quality aphone paper. I can’t draw anything when Haltmoot glances over the paper with a Starp pen. Clarissa is the same, and the ink of magic doesn’t stick.
“Master Rosemaine’s magic feels too strong to be played. Can you draw Master Rosemaine?
Clarissa tells me, and I will write in Stilo, too. Normally the line was drawn. “It still looks like you can draw it if you’re the creator, Master Rosemayne,” Haltmoot looks convinced. But all at once my blood caught on.
“Isn’t it a complete failure in the Devil’s Paper that only I can use? It doesn’t make sense to have the highest quality of demon paper that even Master Ferdinand can’t use.”
“It’s not so uncommon to have magic equipment that you can’t use unless you’re the Devil’s Paper Creator or someone more magical than that. Me and Clarissa will also try to make high quality demon paper. If you can then use it for Master Rosemayne, it may be possible for Master Ferdinand to use Master Rosemayne’s devil paper…. Master Ferdinand has more magic, doesn’t he?
Hartmoot asks me to worry, and I get a little worried too. In the House of Lords the density was diminished so that it was not overflowing with magic, so the body grew but the amount of magic had not grown so much. But now that Sturp has grown, and there are many cases of conditioning, divinity, preparation of Entovickern and use of magic in the territory, he is now putting magic compression back to about the old standard. As your body grows, the amount of magic you can accumulate should be increasing.
… Still, I don’t think it means you’re beyond Master Ferdinand.
It didn’t change that much when I was using disappearing ink, so I don’t think it has been exceeded yet.
“I don’t think I can beat Master Ferdinand”
“What do you think? I’m sure Master Rosemayne will win soon.”
“I am not going to grow up to an out-of-consciousness territory like Master Ferdinand’s.”
“I look forward to when Master Rosemaine grows up,” Haltmoot and Clarissa said happily, declaring that she was not going to be like a mad scientist overlapping magic compression with such a magic sickness.
“Unlike Master Rosemaine, it takes a lot of magic and time for me and Clarissa to make gold powder, so let’s continue tomorrow. I’ll have the gold powder ready by the end of the night.”
“Okay.”
It depends on tomorrow’s experiment between the two of us whether or not it will be a demonic paper that even Ferdinand can use. I prayed for good luck by handing over for the two of them the healing pills and the demonic stones that removed the clutter of magic that only magic would greatly heal.
The next day, it seemed pretty tough, but the two made and brought gold powder and began to formulate high quality demon paper. I drew a magic formation on the high quality demon paper I created yesterday, waiting for the two to finish their conditioning while doing the experiment they wanted to try instead.
As Haltmoot expected, the Avon paper became a demonic paper that chanted and activated automatically if magic passed through the drawn magic formations. It might be useful if it consumes a bit of magic, but activates it where it can’t be chanted, or if chanting is too long.
… but I knew it was hard not to draw with the magic of others.
Clarissa seemed to wonder if she could turn the nonsave paper into a demon paper that could be used many times, but even with high quality, it could not be reused. Finished in a flame of gold. But there was still burning cusp, and it was kind of funny that it got together.
“Dear Rosemayne, I’m ready.”
As a result of my attempts to write a line in Stilo on the high quality Devil’s Paper made by the two of them, I could draw it on the Devil’s Paper created by Haltmut, but not on the Devil’s Paper created by Clarissa.
“Does that mean Clarissa has more magic than I do?
“Impossible”
Immediately denied by both of them. Even considering the speed at which the gold powder is made, the difference in the amount of magic with Clarissa is obvious, so I’m not really saying that either. Just a little tea eye.
“So how can there be such a difference?
I leaned my neck, but Clarissa immediately seemed to think
“It’s a name dedication. Must be a name dedication! That’s about the difference between me and Haltmoot.”
I hate to think that’s just the difference between Haltmoot and Clarissa, but it’s likely Clarissa’s opinion is shooting at the target.
“Prestige is bound by the Lord’s magic, so it could be affecting you.”
After Rhoderich’s famous devotion, he gained all his attributes by being tied to my magic. Hartmoot is also tied to my magic, so it is likely that only I can draw on Hartmoot’s devil paper.
“Dear Ferdinand, it doesn’t seem that you can only write to the creator himself or to those to whom the creator gave his name.”
“… it feels like the Devil’s Paper plays magic, so why not look at it with the addition of a material that absorbs magic?
I blink at Haltmoot’s suggestion.
“Does absorbing magic mean black demon stones?
“It’s a material picked from a black demon, and I think if we can add only the properties that don’t alter the nature of the demon paper and absorb the magic, we can attach the ink of the magic.”
… By black demon, do you mean turnisbefalen or trombe?
I thought of a black demon that I had fought, and turned my gaze to the trombe paper.
“I see. Let’s do it”
I try to synthesize Haltmoot’s high quality aphone paper with the addition of trombe paper. Give Clarissa a piece of paper, cut the corners into small pieces, and have them try and write.
“You can draw lines, Master Rosemaine!
As Haltmoot expected, the devil paper produced could now be painted by Clarissa, and the quality improved to the point that it was just a few moments away from the highest quality. I think it’s probably because the trombe paper absorbed my magic powers during the formulation.
After drawing a magic formation of time shortening and using it to improve the quality of the Avon paper, it was found that the nature of the trombe paper was added to the nature of the Avon paper that chants and activates on its own.
“… Dear Rosemaine, this non-combustible paper wasn’t raised to high quality, was it?
I asked, blinking my eyes, staring at the burning cusp that only burned and torn apart where Clarissa drew the line of ink.
“Yep. I used it as it was earlier. Maybe if you improve the quality, you’ll stay completely. There doesn’t seem to be much rebellion between demon papers, so let’s just make all demon paper high quality and put everything in a conditioning pan and synthesize it.”
Make everything high quality and synthetic. It’s easy in words, but it’s a formula that requires a foolish amount of magic. We need to make gold powder to make each of them high quality, and synthesizing high quality materials requires even more magic.
But it was worth the effort and the highest quality Demon Paper was completed. Give the two of you small cut fragments to try and write. The line was written safely. The fragment then flickers back toward the large piece of paper and sticks to its original size on its own.
After drawing and experimenting with the magic formations, it was found that magic was activated simply by letting the magic flow, remaining completely unburned, and a demonic paper was born that gathered on its own to play.
“I don’t know what you’re going to use it for, but would this convince Master Ferdinand as well?
“I don’t think any civilian can complain about this,” Haltmoot asked as he showed Haltmoot the demon paper he played, smiling at me and undertaking.
“… but can’t you make anything other than this demon paper, Master Rosemaine?
“Well, it’s gonna take a while, isn’t it?”
Use low to high quality gold powder to make the ultimate synthesis of three high quality Demon Papers. It’s a super fancy demon paper that takes amazing magic and time.
By the way, in three, it becomes a demon paper about the size of two original sheets of paper. Even if I cut it, it goes back to normal, so I’m worried about the fact that I can’t change the size.
“Dear Rosemaine, I spent the night making golden powder using restorative medicine to formulate high quality paper. Something that also required a bottle of restorative medicine to prepare. It’s not like it’s gonna take a while.”
Clarissa started moaning, “I wonder what that means”. I can’t seem to help but regret not being able to fulfill my role satisfactorily, even though it is the role of the civilian to formulate instead of the Lordship candidate.
“We just have to increase our magic and pray to the gods to increase your protection.”
Next to Clarissa’s determination to “make it absolutely useful,” which is burning anew, Haltmut is taking the trombe paper and thinking of something.
“Dear Rosemaine, what the hell is this non-combustible paper made of? You bought it from the Plantain Chamber of Commerce, not Irkner, so it’s made at the Rosemaine workshop or the paper mill around it, right?
I laugh and say, “It’s made from a little tree.” Though the answer came right back, Haltmoot thought that there seemed to be no demon tree to think of.
“A little tree on? I’ve heard it from the orphanage kids, was it non-combustible paper material?… but I don’t remember such demon trees”
I don’t mind telling you if it’s just Haltmoot, who received his name, but I’m not willing to talk about it on this occasion where Clarissa is also there.
“There’s enough demon paper bought from Irkner, but not enough non-combustible paper. I need you to make a lot of non-combustible paper this summer.”
I create another piece of Demon Paper of the highest quality, calculating in my head how much Tau fruit I will need. This concludes sampling for my adoptive father to take to Arlensbach. If Ferdinand gave me a “very good deal,” I would like to mass produce it.
“Arlensbach should have Ferdinand’s workshop, so should I ask my adoptive father to carry more than just samples, but also conditioning tools and materials”
Fish inside the workshop to see what my adoptive father will take to Arlensbach for the funeral. I want to send the materials for the recovery and antidote. Haltmut and Clarissa also seemed to enjoy helping me fish for materials in the workshop.
The mitzvah at the end of spring was right there, and summer was close again.